![]() Very easy and straightforward to setup.In fact you get to use the midifx section of the instrument channel dedicated to one track, rather then shared by numerous tracks. Articulation related scripting is generally easier if you're dealing with one track at a time.No aux channels used for the returning audio.Here are the advantages and disadvantages of that as I see it: Then in VEP you could have up to 16 channels of articulations for each one. You can have a single Logic track feeding a single non-multi instrument channel, with some kind of script like ski switcher to channelize different articulations. ![]() If you don't mind having a buzzillion VEP instances, then its not a bad way to go to avoid using LPX multis at all. I'd appreciate any guidance so that I can put the considerable time it takes to set up a template to best use! Thanks. I've read a lot to suggest that this way isn't really viable but is that what people have actually found to be the case? Using the Multiport layer templates to achieve the same thing. Using the Event Unit plugin to achieve multiport connectivity and thus vastly reducing the number of Server instances needed.ģ. ![]() Using a single Logic track/instrument per VEPro instance, resulting in a huge number of instances for a large orchestral template.Ģ. Which of the following is generally found to be the best way of running VEPro in conjunction with Logic in a master-slave setup these days?ġ. Before I put a load more time into this I would love to know what the best setup is currently, before we have AU3 working in VEPro. Of course I'm trying to work out the best way to make use of more than one midi port per instance. ![]() I'm in the process of setting up Vienna Ensemble Pro on a slave PC with Logic on a Mac. I'm sure this has been discussed a million times but searching actually found very little on this topic, though no doubt I missed some relevant threads! ![]()
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